بانو قدسیہ ایک بہت مشہور ادیب ہیں اور ان کی تحریروں نے بہت مقبولیت حاصل کی ہے- آپ نے اپنی تحریروں میں روز مرہ کی زندگی کی باتیں بہت اچھی طرح سے بیان کی ہیں- آپ کی سوچ بہت دلچسپ ہے آج کل کے تناظر کو بانو قدسیہ کس طرح سے دیکھتی ہیں یا انکا میسیج کیا ہے یہاں میں آپ سب کے ساتھ شئر کرتی ہوں -انکے مطابق آج کل کی عورت نے گھر داری اور ماں ہونے کی زمہ داری چھوڑ دی ہے اور اپنی زمہ داریوں سے فرار حاصل کرنے کی کوشش کر رہی ہے- اور اس سب کا زمہ دار مرد ہے جس نے عورت کو اسکے گھر، جو کہ اسکا مضبوط قلعہ ہے، سے باہر نکالنے کے لئے سازش کی ہے آدمی نے عورت کو ایک اچھے لائف سٹائل اور اونچے میعار کے خواب دکھائے ہیں اور ان کے حصول کے لئے یہ طریقہ بتایا ہے کہ وہ گھر سے باہر نکل کر محنت کرے اور اپنے لئے ایک اچھا لائف سٹائل حاصل کرے- خواتین نے اس سے یہ بات سمجھی کہ انہیں آزادی مل رہی ہے لیکن درحقیقت وہ مزدوری کے لئے مجبور ہو گیئں ہیں اور اپنے کھانے کے لئے بھی انہیں خود ہی محنت کرنی پڑ رہی ہے-وہ اس عورت کی مثال دیتی ہیں جو اپنے گھر کے کام کرتی ہے برتن دھوتی ہے اور کھانا بناتی ہے ان کے نزدیک یہ عورت ایک ماڈرن عورت سے زیادہ خود مختار ہے اسکا واحد مسئلہ غربت ہے لیکن اسکو ایک جدید عورت کی طرح اپنے آپ کو منوانے کے لئے جدوجہد نہیں کرنی پڑ تی اسکا وجود ہی اسکی شناخت ہے - اس اہنے آپ کو منوانے کی جدوجہد کی وجہ سے عورت کی نرمی اور نزاکت ختم ہوتی جا رہی ہے جو عورت کی اصل طاقت ہے اور جس کو وہ اپنی سب سے بڑی کمزوری سمجھتی ہے-Bano Qudsiya
Bano Qudsia (born 1928) is a writer, intellectual, playwright and spiritualist from Pakistan who is regarded among the best Urdu novelists and short story writers of modern times. She is best known for her novel Raja Gidh. She writes for television and stage in both Urdu and Punjabi languages. She is the wife of famous novelist Ashfaq Ahmed. She has written a number of popular television plays.Bano moved with her family to Lahore during the Partition of India. Her father, a landlord with a Bachelor's degree in agriculture, died when Bano was very young. She attended school in Dharamsala in eastern India before moving to Lahore. Her mother, Mrs. Chattah, was an educationalist, and this inspired the young Bano to develop a keen interest in academics, which turned her into a conscientious student. Her marriage to Ashfaq Ahmed consummated the artist in her, though she says she never discussed any of her works with her husband nor has the writer-spouse ever tried to influence her writings. "We work very independently. Writing a book is like bearing a child and you do not share that with anyone. God is your only confidant. It is also like falling in love. You keep it personal and private.As a student, she wrote for college magazines and other journals. Her memories of her days at Kinnaird College in Lahore, from where she graduated, are still quite vivid. She talks of the literary inspiration that was a hallmark at Kinnaird's campuses during those days. Though her stay at Kinnaird went a long way in sharpening her scholarly skills, Bano felt an incessant need to polish her expressions in Urdu, the only language with which she could reach the minds of the people. So in 1951, she completed her M.A. degree in Urdu from the Government College Lahore with distinction.She has authored numerous short stories, novelettes, television and radio plays, and stage plays. Her short stories include Baz Gasht, Amar Bail, Doosra Darwaza and Twajju ki Talib. Of her novels, none has received as much recognition as Raja Gidh which centers around the forbidden truth. The plot buildsaround the symbol of a vulture, a bird of prey, that feeds on dead flesh and carcasses. The moral sought implies that indulgence in the forbidden leads to physical and mental degeneration.Some of her best plays include Tamasil, Hawa key Naam, Seharay and Khaleej. The plight of women and other socio-economic issues have often been the subject of her television serials that have inspired families wherever they have been aired. The Graduate Award for Best Playwright was conferred on Bano in 1986, followed by the same award for three consecutive years from 1988 to 1990. In 1986, she was also given the Taj Award for Best Playwright.Rather critical of the deviation of today's woman from her natural role of mother and home keeper, Bano decries what she terms 'a woman's unsolicited and disoriented escape from responsibility.' Interestingly, though, she blames men for plotting a conspiracy to push women out of the house, her only domain. "And women fall easy prey to this trap. Men of the post-industrialization era gave women a taste of luxurious lifestyles and then instigated them to step out of the house and earn that lifestyle. The woman developed a taste for what she thought was freedom for her, but which actually bonded her as a labourer and a breadwinner."She cites the example of the woman who does the dishes in her home. "This woman is more liberated than your modern women, since she does not suffer from any conflicts of the 'self'. Poverty is all that hurts her and she is not caught in a rat race to prove something to herself or carve out an identity for herself. Her existence is identity enough.Bano also feels that what she calls women's 'strength of softness' has been lost in their struggle to prove themselves equal to men. What women take as their weaknesses are in fact their strengths, she believes.Bano Qudsia planned to co-author a book with her (now late) husband. Her obligations towards her family are much more important for her than her work. "My husband (now late), my three sons and daughter-in-law have all been very kind to me and have always showered their affections on me. So, how can I ever put anything else before them?"Having lived a fulfilling life, which Bano ascribes to the benevolence of those around her, she kept herself busy caring for her husband. She is now working on her present literary undertaking - a novel which she plans to title Dastan Serai, after her home. "I formally started work on this novel in 1992. Prior to this, I had worked on it during the 1950s. The novel is set against the backdrop of Partition and revolvesaround the theme of intention and motivation. It highlights the importance of intention as the key determinant behind every act.
Books. Aatish Zeir Pa . Adhi Baat . Aik Din . Amr Bail . Assey Passey . Bazgasht . Chahar Chaman . Dast Basta . Dosra Darwaza . Dusra Qadam . Foot Path Ki Ghaas . Haasil Ghaat, Read online . Hawwa Key Naam . Kuch Aur Nahi . Marde Abresham . Maum Ki Gallian . Naqabal e Zikr . Piya Naam Ka Diya . Purwa . Purwa and Aik Din . Raja Gidh, Read online . Saman-e-Wajood . Shehr-e-bemisaal . Sudhraan . Suraj Mukhi . Tamaseel . Tawjha Ki Talib . Dastan Sarei, forthcoming